Actress Shari Rigby sat right across from her interviewer, her legs crossed. On the instep of her right foot was a tattoo of a flower. She was asked what it was. "Her name would have been Lily," Rigby answered, "and so that's there to remind me." She was talking about the baby she had aborted 20 years ago. Rigby plays a relatively small part in the new movie "October Baby," but it's a pivotal role: She plays the birth mother of Hannah (Rachel Hendrix), but Hannah was born as the survivor of a botched abortion; Hannah's twin brother only survived a handful of days after the abortion attempt. But the kicker is that brother directors Andrew and Jon Erwin, when they sent Rigby the script for her consideration, had no idea she had ever undergone an abortion. In fact, Jon Erwin told Catholic News Service, it wasn't until after the movie had been shown to several focus groups that Rigby went in front of the camera again to address moviegoers about her own abortion experience, which has been added to the film's closing credits. "There are millions and millions of post-abortive women out there," Erwin said. "October Baby," which debuts March 23 in about 360 theaters, details the revelation to college student Hannah about the circumstances behind her birth, and her quest to find the woman who tried to abort her. The movie also stars John Schneider ("The Dukes of Hazzard," "Smallville") as Hannah's father and Jasmine Guy ("A Different World") as the nurse from the abortion clinic all those years ago. I can't wait to see this movie. If you are in a smaller city, you should request that your local theater show it. Then gather all of your fellow parish members and support this movie.
I am just beginning to dive into the beautiful, ancient devotion to the Five Wounds of Jesus, and I wanted to share a bit of the journey with you. It can feel a little overwhelming at first to look at the Crucifix this closely, but I’ve found such a gentle guide in St. Bernard of Clairvaux . In his Jubilee Rhythm on the Passion, Bernard doesn't treat the wounds of Jesus as distant historical facts or sights to be avoided. Instead, he approaches them with the tenderness of a friend, speaking directly to the feet, hands, side, and face of our Lord. For someone like me who is just starting out, his rhythm teaches that prayer isn't just about reciting words; it’s a holy hide-and-seek. Bernard invites us to literally hide ourselves within these wounds, seeing them as clefts in the rock where we can find shelter when our own lives feel turbulent or heavy. As I start this process, I’ve been practicing what I call gazing and greeting. Following Bernard’s lead, I look at the Crucifix an...
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